![]() They start on, you guessed it, 5, 4, 3, 2 and 1. So those are the phrases to be used on dominant chords to not just play the bebop mixolydian scale. ![]() Still, I have some notes on this scribbled down, which read (in chord tones) as:ĥ: 5 7 1 11 3 (5 as the highest note)Ĥ: 11 9 #9 3 (I'm guilty of using this one far too much!)ġ: R 7 b7 9 13 5 (This is a really classic bebop lick, used all the time! 9 down to 13 btw) Quite a piano centric course, with lots on his approach to harmony in terms of comping. It was during a bit of a whirlwind weekend sleeping on various couches in London, and I had a belter of a hangover so was there mostly to absorb the delicious boppy vibe. He was really involved in the classic Detroit scene, taught a lot of great players some stuff PC included. Good to hang with a bit of history too - I wrote a thesis on Thelonious Monk so it was good to chat someone who knew him personally. I went on a 2 day masterclass with Barry this past summer. ![]() PLEASE SEE MY NEXT POST FOR DEFINITIVE 54321 PATTERNS OVER MAJOR AND DOMINANT CHORDS
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